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> Home  > Free Tips and Techniques  > Dry Mounting Basics > Dry Mounting Detail
 

The Dry Mounting Process - More Details

Pre-Drying
Prior to mounting, it is wise to pre-dry the artwork and the foam board individually between Kraft paper to reduce moisture.  Place each item in the press for 15-30 seconds to achieve this. 
Tacking
Tack the art in place with a tacking iron.  A tacking iron applies heat to a small area, melting some of the adhesive so the components don't shift when you place them in the dry mount press.  Place a small square of release paper over the spot where the tacking iron will touch the art.  Tack only at one corner, not at all four corners and not in the middle.
 
Pressing 
Place the substrate, tissue and artwork into the press.  It's best to place a sheet of release paper over the artwork to keep the press clean.  Close the press.  Correct pressure is determined by placing the assembled materials inside the press and closing, but not locking the press.  Allow for the appropriate dwell time.  Recommended dwell times and temperatures are provided with the tissues. 

Cooling
Remove the artwork from the press.  For adhesives that bond while cooling, cool under weight immediately.  Use 1/4" thick plate glass to provide uniform pressure while cooling.
 

Some Helpful Insights About Dry Mounting

There are two types of dry mount presses. 
Traditional mechanical presses use a leveraged clamping action to apply pressure with a platen to the artwork and substrate.  The platen is heated and is controlled by a thermostat.  The instructions above refer to the operation of a mechanical press. Vacuum presses use the weight of air pressure to apply uniform pressure to artwork and substrate.  Hot/cold vacuum presses also provide heat to melt the adhesive prior to vacuuming.  Typically, vacuum presses are more expensive than mechanical presses.      

Yes, you can mount materials larger than the press.   The Press Dimensions refer to the depth and width of the press.  For example, a press that is 15"x18" refers to a press that is 15" deep (from front to back) and 18" across.  With a 15"x18" press you can mount artwork up to 30" on one dimension because you can mount one side of the artwork and then turn the artwork 180° and mount the other side. 

Release Boards are highly recommended when mounting materials that are larger than the press.  They prevent platen lines which can be a problem when using only release paper on materials that are larger than the press.


There are two types of adhesives.
  Dry mount tissues are thin sheets of paper coated with adhesive that bond during heating.  Dry mount films are solid sheets of adhesive that melt when heated and solidify and bond during cooling.  Working with dry mount films requires the extra step of cooling under weight, but dry mount films hold out the promise (somewhat dubious) of being removable by heating up the artwork until the adhesive melts again, whereupon it can be removed from the back of the artwork by scraping.     

Proper dry mounting also involves the use of Kraft paper, release paper, a tacking iron and, frequently, a release board.  You can purchase each of these items separately at Framing4Yourself.com or you can purchase them together, for a reduced price,  in the Dry Mounting Accessory Package



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